Saturday, December 21, 2019

Literary Analysis Of Gwendolyn Brooks s The Bean Eaters

Introduction Gwendolyn Brooks is among the most distinguished African-American poets of the twentieth century. With the publication of her second volume of poetry, Annie Allen (1949), she became the first black American writer to win a Pulitzer Prize. Noted traditional forms and poignant evocation of urban black experience, Brooks emerged as a leading black literary figure during the 1950s and 1960s. her lyrical poetry addresses racial injustice, poverty, and the private struggles of young black women with exceptional precision, psychological depth, and authenticity. In addition to Annie Allen, Brooks is best known for A Street in Bronzeville (1945), The Bean Eaters (1960), In the Mecca (1968), and her only novel, Maud Martha (1953). During the late 1960s, Brooks embraced the Black Power and Black Arts movements, marking a dramatic shift in her poetry toward increasingly polemical declarations of black pride and African cultural nationalism. Biographical Information Born in Topeka, Kansas, Brooks was raised in the poor South Side section of Chicago with her parents; her mother abandoned teaching for marriage and motherhood, and her father, the son of a runaway slave who fought in the Civil War, gave up his ambition to attend medical school to work as a janitor. Out of the loving security of her home, Brooks experienced racial prejudice early in grade school, where other black students ridiculed her for her dark skin and lack of social or athletic abilities. Brooks foundShow MoreRelated Gwendolyn Brooks Essay1061 Words   |  5 Pages Gwendolyn Brooks- A Critical Analysis of Her Work nbsp;nbsp;nbsp;nbsp;nbsp;Gwendolyn Brooks is the female poet who has been most responsive to changes in the black community, particularly in the community’s vision of itself. The first African American to be awarded a Pulitzer Prize; she was considered one of America’s most distinguished poets well before the age of fifty. Known for her technical artistry, she has succeeded in forms as disparate as Italian terza rima and the blues. She has

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